Saturday, 3 September 2022

WINDOW SEAT. Weekly column in English, 4.9.22

 Window Seat | Mrinal Chatterjee | 4.9.22

100 years of ‘Bidrohi’ and ‘Dhumketu’

"Bidrohi", the most famous poem by Kazi Nazrul Islam was written in December 1921 and was published in several periodicals. This revolutionary poem, written in Bengali became a raze and continue to enthrall the readers and listeners. It was first published in a book titled Agnibeena: the first anthology of Nazrul's poems in October 1922. It became so popular that Kazi Najrul was then known as ‘Bidrohi Kabi’- ‘Rebel Poet’, though he had written thousands of love and devotional songs in his later years.

(Read the English translation of the poem here: https://imcradiodotnet.wordpress.com/.../kazi-nazrul.../

 

Born in Churilia of Burdawan district of British Bengal in 1899 into a Bengali Muslim family Najrul’s life was a roller coaster journey. He lost his father at a young age and had to take care of his family. He  was attracted to folk theatre at a young age and joined a (travelling theatrical group) run by his uncle Fazle Karim, where he learnt writing poems and plays also learnt Bengali and Sanksrit literature. In 1910 he left the troupe and joined school. He studied up to grade 10 but did not appear at the matriculation pre-test examination; instead in 1917, he joined the British-Indian Army at the age of eighteen. Attached to the 49th Bengal Regiment, he was posted to the Karachi Cantonment, where he wrote his first prose and poetry. Although he never saw active fighting, he rose in rank from corporal to havildar (sergeant).

He left Army in British Indian army in 1920 when the 49th Bengal Regiment was disbanded and settled in Calcutta.

His life took another turn when he turned to literature and politics. He started writing rebellious poems and became active against the British administration.

He was most active as a journalist from 1920-1926 and was involved with three newspapers, all in Bengali- Nabajug (New Age), Dhumketu (Comet) and Langol (The Plough). 

The first issue of the bi-weekly Bengali paper Dhumketu was published on 11 August 1922. Its last issue was published on March 1923. In its short span of existence Dhumketu (which means comet in English) like its name suggested illuminated the media ecosphere of its time. Najrul was arrested for a poem ‘Anandamayeer Agamane’ that he published in this paper.

First Issue of Dhumketu
He was also associated with two other newspapers titled Langol (The Plough) and Nabajug (New Age). Nabajug was published from Kolkata on 12 July 1920. The Daily Nabajug was a liberal, secular and mass-oriented newspaper. Its price was one paisa. Its owner-cum-director was AK Fazlul Huq. Kazi Najrul and Muzaffar Ahmed were its editors. Langal ('Plough'), a weekly,  was published on 16 December 1925.  Nazrul served as its chief editor.

Along with rebellion, he had within him a devotional streak. He wrote many devotional and love songs, which made him very popular. He wrote plays and also made couple of films.

His life took another turn in late 1930s as his wife seriously ill. He was physically, emotionally and financially drained. He sank into depression and gradually lost his mental balance. In 1974 he was brought to Bangladesh and conferred citizenship. He lost his long battle with illness in January 1976.

Digital Humanities

A Bengaluru (Bangalore in earlier times)  based College recently organized a conference on ‘Impact and Challenges of Digitalization in the Field of Humanities’, where I was invited as the Chief Guest. Digitalization is the conversion of text, pictures, or sound into a digital form that can be processed by a computer. With Digitalization in the field of Humanities emerged what is now called Digital Humanities. Dictionary.com defines digital humanities as "an academic field concerned with the application of computational tools and methods to traditional humanities disciplines such as literature, history, and philosophy." To elaborate, it is a field of study, research, teaching, and invention concerned with the intersection of computing and the disciplines of the humanities.

As digital technology becomes all-pervasive and wildly disruption- I guess it is time to embrace digital humanities which might help us helping us to expand our understanding of human culture in a digital world.

Tail piece: Digital Sannyas

It sure would be more difficult than the Sanyas we know but a journo friend has this post to share: "Friends, I am taking techno sanyas for four months from 10 a.m. today to experience digital samadhi otherwise known as metastability which in digital electronics is a state wherein a circuit must decide between two states based on an input which itself is undecided meaning which is neither zero nor one!

So goodbye för now and see you in the new year"

Wondering if I should try at least a week's digital sanyas!

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Journalist turned media academician Mrinal Chatterjee lives in Dhenkanal, Odisha. He also writes fiction and plays.

mrinalchatterjeeiimc@gmail.com


Window Seat is published every Sunday in www.prameyanews.com and Gangtok based English daily Sikkim Express.

https://www.prameyanews.com/window-seat-100-years-of-bidrohi-and-dhumketu/


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