Saturday, 19 September 2020

Column in English | Window Seat | 20.9.2020

 Window Seat | Mrinal Chatterjee | 20.9.2020

Butterflies

Butterflies conjure up images of sunshine, the warmth and colour of flowery meadows, and spring gardens teaming with life. There are many references to butterflies in literature, from the puranas to the Bible through Shakespeare to modern day literature, and from poetry to musical lyrics. These colourful tiny creatures have been around for at least 50 million years and probably first evolved some 150 million years ago.

Photo: BN Neelima
Butterflies and moths are a highly diverse group comprising over 250,000 species and make up around one quarter of all named species. Among the 17 mega-diverse countries of the world, India hosts nearly 1,400 species of butterflies.

Butterflies (and moths to a lesser extent) have immense scientific value. They are an extremely important group of ‘model’ organisms used, for centuries, to investigate many areas of biological research, including such diverse fields as navigation, pest control, embryology, mimicry, evolution, genetics, population dynamics and biodiversity conservation.

Butterflies have ecosystem value. These delicate creatures help in determining the health of the environment. Areas rich in butterflies and moths are rich in other invertebrates. These collectively provide a wide range of environmental benefits, including pollination and natural pest control.

Moths and butterflies are an important element of the food chain and are prey for birds, bats and other insectivorous animals.

Therefore, they need to be protected, more so as they are facing habitat loss with the march of urbanization and deforestation.  

Over 30 organisations in India, working in the field of biodiversity conservation, came together to host a national event named ‘Big Butterfly Month: India 2020’ on various aspects related to butterflies. It began on September 5 and will continue till September 20. Various activities like online workshops on butterflies, photography and videography contests and butterfly count were held. Goa- based Foundation for Environment Research and Conservation (FERC), co-ordinated the programme.

(Photo: BN Neelima, Tirupati)

Woman of substance 

As Kangana Ranawat, Rhea Chakrabarty and of late Jaya Bachhan hog the headlines and prime-time television space and everybody and their uncle and aunty are discussing about them, as the social media is jammed with stand with one of the above mentioned three ladies- I came across the story of Muthulakshmi, who deserves to be known widely.  

Muthulakshmi Reddy 

Muthulakshmi Reddy was born in 1886 in the princely state of Pudukottai in the Madras presidency (now Tamil Nadu). Her father was Narayanswami Iyer. Her mother was a Devadasi who were women who were ostensibly “dedicated” to temple deities tasked with passing on the baton of the art of dance to the next generation. The grim reality was different. They were often subjected to exploitation and were considered prostitutes by the British government. It was actually worse than prostitution- no one chose to be a devadasi. The prepubescent girl was initiated into the system by a religious ceremony which ensured her permanent status as a concubine. She would have a male patron, but no rights to his surname or inheritance. Devadasis needn’t marry and were called, “Nityasumangali” - meaning immune to widowhood. It was a crass euphemism - after all, you can’t become a widow if you aren’t married. 

Luckily for Muthulakshmi, her father was an academician and a school principal. He gave her the power of education. The class in which she studied had 40 boys and 3 girls - separated by a screen. Even then the parents of the boys objected, fearing their “innocent” sons would be ensnared by a prepubescent femme fatale. This may sound absurd, but this was a common trope in those days. One of the teachers resigned in protest. But her father stood with her and provided her a plank.

After attaining puberty, she was home schooled, as was the tradition in those days. She wanted to change not just her destiny, but also those of others. She asked the Maharaja of Pudukottai for funds to study medicine. The stunned Maharaja gave her a princely sum of Rs.150 which was the much needed escape velocity that changed her trajectory. 

She became the first woman to enter Madras medical college. She was studious and bagged several medals. When she wanted to take obstetrics and become a surgeon, the professors were shocked. Surgery with its blood and gore, was considered a man thing then. Nevertheless, with characteristic persistence, she became an obstetrician. She started catering to the elite professionals first. However, a turning point happened soon. 

Her sister developed rectal cancer and eventually died. Back then, cancer wasn’t known to the public as the emperor of maladies. Those who were unlucky enough to get it were considered doomed. No one wanted to spend on a lost cause. So Dr Muthulakshmi took it upon herself to go to the UK and trained in Royal Marsden hospital to manage cancer patients. She had a rare combination of strong roots and powerful wings. She came back to Madras, but faced painful apathy about cancer.

She turned to Women’s India Association - which helped fund, the first cancer hospital in Madras - the Adyar cancer institute.

One day, three girls from Namakkal ran away from the Devadasi system and asked her , “Now what will happen of us? Where will we stay?”. She realized the dire problem and set about the long journey that would culminate in their emancipation.

She sheltered them, but not just them. She started the Avvai home. She met Sarojini Naidu and became a nationalist.

Realizing the importance of political power, she went on to become the first woman to join the legislative council in British India. She was also the first woman in the world, to become the deputy President of a legislative council.

 

She met and married Sundara Reddy, with the condition that they will be equals.

Dr Muthulakshmi Reddy, fought two battles simultaneously: first-finding land and funding for the cancer hospital; and the second-liberation of the devadasis. 

The cancer hospital, grew slowly but steadily. She asked everyone who would listen for funds, including King George V. Today it’s a world class institute, giving life to many. Her statue stands there, like a guardian angel of the cancer patients.

On December 5, 1947, at long last, the Madras Presidency passed the bill preventing the dedication of young girls as devadasis. 

The laurels followed. She was awarded Padma Bhushan in 1956.  

Her story is the triumph of grit over fate. It’s a reminder that we can script our own destiny, regardless of where we start. Neither social ostracism, nor the strictures of colonial India could conquer her will. 

She’s the hero that our daughters need to know about. 

Tailpiece: 4 benefits of Green Tea

The richness reflects.
The cost of milk is saved
Don't even have to give biscuits
And the guests don't come again.

Tailpiece 2: Not easy to be a Teacher 

Teacher: Construct a sentence using the word "sugar''

Pupil: I drank tea this morning.'

Teacher: 'Where is the word sugar?

Pupil: It is already in the tea..!!

 

Teacher: Our topic for today is Photosynthesis. 

Teacher: Class, what is photosynthesis?

Student: Photosynthesis is our topic today.

 (Courtesy: Social Media)

***

Journalist turned media academician Mrinal Chatterjee lives in Dhenkanal, a Central Odisha town, writes fiction and translates Urdu and Hindi poetry into Odia.

mrinalchatterjeeiimc@gmailo.com


Weekly Column in Odia | Pathe Prantare | 20.9.2020

Samaya, 20.9.2020

 

Wednesday, 16 September 2020

Saturday, 12 September 2020

Column | Pathe Prantare | 13.9.2020

ପଥେ ପ୍ରାନ୍ତରେ । ମୃଣାଳ । ୧୩.୯.୨୦୨୦ 
ହସ୍ତାକ୍ଷର 
କରୋନା-କାଳରେ ଆପଣଙ୍କ ଆଖିରେ ପଡ଼ିଥିବ କି ନାହିଁ- ଇତିମଧ୍ୟରେ ହାଇକୋର୍ଟ ଡାକ୍ତରମାନଙ୍କୁ ସ୍ପଷ୍ଟ ଓ ବଡ଼ ଅକ୍ଷରରେ ପ୍ରେସ୍କ୍ରିପ୍ସନ ଲେଖିବାକୁ ନିର୍ଦ୍ଦେଶ ଦେଇଛନ୍ତି । ବସ୍ର କଣ୍ଡକଫର ଆଉ ଡାକ୍ତରମାନଙ୍କ ହସ୍ତାକ୍ଷର ଯେ ଖରାପ ଏକଥା ସମସ୍ତେ ଜାଣନ୍ତି । ଡାକ୍ତରଙ୍କ ଲେଖା ସାଧାରଣ ଲୋକ ପଢ଼ି ବୁଝିବା କଷ୍ଟ । କାଲ ଠାର କାଲ ମା ଜାଣିଲା ଭଳି କେବଳ ଔଷଧ ଦୋକାନୀମାନେ ତାହା ପଢ଼ି ପାରନ୍ତି । 
ଏହାକୁ ନେଇ ଗୋଟେ ପୁରୁଣା ଗୁଲି ଶୁଣେଇ ଦିଏ । ଗୁଲିଟା ଟିକେ ପୁରୁଣା । ଦିନେ ସଂଜ ବେଳେ ଦେଖାଗଲା ଔଷଦ ଦୋକାନ ବାହାରେ ଜଣେ ସଦ୍ୟ ବିବାହିତ ଯୁବତୀ । ଔଷଦ ଦୋକାନୀ କହିଲେ: କଣ ନେବେ? ଯୁବତୀ କହିଲେ ଆପଣ ଟିକେ ଫାଙ୍କା ହୁଅନ୍ତୁ -କହୁଛି । ଔଷଧ ଦୋକାନୀ ଫାଙ୍କା ହେଲା ପରେ ପରେ କହିଲେ: ଏବେ କୁହନ୍ତୁ । ଯୁବତୀ ତାଙ୍କ ହାତକୁ ଚିଠିଟିଏ ବଢ଼େଇ ଦେଇ କହିଲେ: ମୋ ସ୍ୱାମୀ ଡାକ୍ତର । ସେ ଦୂର ଜାଗାରେ ଚାକରି କରନ୍ତି । ମୋତେ ଚିଠିଟିଏ ଲେଖିଛନ୍ତି । ତାଙ୍କ ହସ୍ତାକ୍ଷର ମୁଁ ବୁଝିପାରୁନି । ଆପଣ ଯଦି ପଢ଼ିଦିଅନ୍ତେ! 
ଏ ଗୁଲିଟି ପୁରୁଣା । ମୋବାଇଲ୍ ଯୁଗରେ କେଉଁ ଡାକ୍ତର ତାଙ୍କ ନବବିବାହିତା ସ୍ତ୍ରୀ ପାଖକୁ ଚିଠି ଲେଖିବ କହୁନାହାନ୍ତି! ହେଲେ ହାଇକୋର୍ଟ ଡାକ୍ତରଙ୍କ ହସ୍ତାକ୍ଷର ଉପରେ ମନ୍ତବ୍ୟ ଦେବା ପରେ ଦୁଇ ତିନୋଟି କଥା ମନକୁ ଆସୁଛି । ପିଲାଙ୍କ ଭଳି ଡାକ୍ତରଙ୍କୁ କଣ ହସ୍ତାକ୍ଷର ଲେଖିବାକୁ ପଡ଼ିବ? ଏହା ସହିତ ଆଉ ଗୋଟେ କଥା ଲକ୍ଷ୍ୟ କରନ୍ତୁ: ହାଇକୋର୍ଟକୁ କେତେକଥା ବୁଝିବାକୁ ପଡ଼ୁଛି । ସହରର ନଳା ସଫା ହେଲା କି ନାହିଁଠୁଁ ଆରମ୍ଭ କରି କାହା ହସ୍ତାକ୍ଷର ଖରାପ ହେଲା- ସେକଥା ବି ବୁଝିବାକୁ ପଡ଼ୁଛି । ସେଇଥିପାଇଁ ବୋଧହୁଏ ହାଇକୋର୍ଟମାନଙ୍କରେ ଏତେ ମକଦ୍ଦମା ବର୍ଷ ବର୍ଷ ଧରି ପଡ଼ି ରହିଛି । 
ଆଚ୍ଛା ହାଇକୋର୍ଟ ଡାକ୍ତରଙ୍କ ହସ୍ତାକ୍ଷରକୁ ନେଇ ପଡ଼ିଲେ କାହିଁକି? ୨୦୧୬ ସେପେଫମ୍ବର ୨୧ରେ ମେଡିକାଲ୍ କାଉନସିଲ ଅଫ ଇଣ୍ଡିଆ କୁଆଡ଼େ ପ୍ରେସ୍କ୍ରିପ୍ସନରେ ଔଷଧର ନାଁ କ୍ୟାପିଟାଲ୍ ଅକ୍ଷରରେ ବଡ଼ କରି ସ୍ପଷ୍ଟ କରି ଲେଖଇବା ପାଇଁ ନିର୍ଦ୍ଦେଶନାମା ଜାରି କରିଥିଲେ । ହାଇକୋର୍ଟ ଏ ନିର୍ଦେଶନାମା କାର୍ଯ୍ୟକାରୀ କରିବା ପାଇଁ ନିର୍ଦ୍ଦେଶ ଦେଇଛନ୍ତି । ଡାକ୍ତରଙ୍କ ଅସ୍ପଷ୍ଟ ହସ୍ତାକ୍ଷର ଯୋଗୁଁ ଜଣଙ୍କର ଜୀବନ ପ୍ରଭାବିତ ହେବା ଭଳି ପରିଣତି ଭୋଗ କରିବାର ଆଶଙ୍କା ରହିବାଥିବା ପ୍ରସଙ୍ଗକୁ ଦୃଷ୍ଟିିରେ ରଖି ହାଇକୋର୍ଟ ଏପରି ନିିର୍ଦ୍ଦେଶ ଦେଇଛନ୍ତି ବୋଲି ପ୍ରକାଶିତ ରାୟରେ ଉଲ୍ଲେଖ କରାଯାଇଛି । 
ଦୂରଦର୍ଶନ 
ଆସନ୍ତା ସେପ୍ଟେମ୍ବର ୧୫ରେ ଦୂରଦର୍ଶନକୁ ୬୧ ବର୍ଷ ପୂରିବ । ୧୯୫୯ର ଏଇ ଦିନରେ ଦିଲ୍ଲୀରେ ଦୂରଦର୍ଶନର ଆରମ୍ଭ । ଉଦ୍ଦେଶ୍ୟ ଥିବା ଲୋକ-ହିତ । ପବ୍ଲିକ ସର୍ଭିସ । ରେଡିଓ, ଫିଲ୍ମ୍, ଟେଲିଫୋନ ପରି ଯୋଗାଯୋଗ ମାଧ୍ୟମ ଉଦ୍ଭାବନ ହେବାର ଖୁବ କମ୍ ସମୟ ଭିତରେ ଭାରତକୁ ଆସିଯାଇଥିଲା । ହେଲେ ଟେଲିଭିଜନ କ୍ଷେତ୍ରରେ ଏହାର ବ୍ୟତିକ୍ରମ ଦେଖାଯାଏ।


ଟେଲିଭିଜନ ଉଦ୍ଭାବନ ହୋଇଥିଲା ୧୯୨୦ ପାଖାପାଖି ସମୟରେ । ହେଲେ ଭାରତକୁ ଆସିଲା ୪୦ ବର୍ଷ ପରେ । ପ୍ରଥମେ ପରୀକ୍ଷାମୂଳକ ଭାବରେ । ୟୁନେସ୍କୋ ସହଯୋଗିତାରେ ପାଞ୍ଚ କିଲୋୱାଟ୍ ଟ୍ରାନ୍ସମିଟର ସାହାଯ୍ୟରେ ଦୂରଦର୍ଶନର କାର୍ଯ୍ୟକ୍ରମ ଆରମ୍ଭ ହେଲା । ତତ୍କାଳୀନ ରାଷ୍ଟ୍ରପତି ଡ. ରାଜେନ୍ଦ୍ର ପ୍ରସାଦ ଏହାକୁ ଉଦ୍ଘାଟନ କରିଥିଲେ । ସପ୍ତାହରେ ଦୁଇଦିନ, ଦିନକୁ ଘଣ୍ଟାଏ କାର୍ଯ୍ୟକ୍ରମ ପ୍ରସାରିତ ହେଲା । ୧୯୬୪ ବେଳକୁ ଫୋର୍ଡ ଫାଉଣ୍ଡେସନ୍ ସହାୟତାରେ ସ୍କୁଲ ଛାତ୍ରମାନଙ୍କ ପାଇଁ କାର୍ଯ୍ୟକ୍ରମ ଆରମ୍ଭ କରାଗଲା । ଦୈନିକ କାର୍ଯ୍ୟକ୍ରମ ଆରମ୍ଭ ହେଲା ୧୯୬୫ରେ । ସେଇ ବର୍ଷ ସମ୍ବାଦ ପ୍ରସାରଣ ବି ଆରମ୍ଭ ହେଲା । ୧୯୬୭ରେ ଆରମ୍ଭ ହେଲା କୃଷି ଦର୍ଶନ । ୧୯୭୨ରେ ଦୂରଦର୍ଶନର କାର୍ଯ୍ୟକ୍ରମ ବମ୍ବେ (ବର୍ତ୍ତମାନର ମୁମ୍ବାଇ) ଏବଂ ଅମୃତସରକୁ ମଧ୍ୟ ପ୍ରସାରଣ ହେଲା । ୧୯୭୫ରୁ ୧୯୭୭ ଦୂରଦର୍ଶନ ମାଧ୍ୟମରେ ସାଟେଲାଇଟ୍ ସାହାଯ୍ୟରେ ଦେଶବ୍ୟାପୀ ଶିକ୍ଷା, ସ୍ୱାସ୍ଥ୍ୟ ଏବଂ ଅନ୍ୟାନ୍ୟ କ୍ଷେତ୍ରରେ ସଚେତନତା ବୃଦ୍ଧି ପାଇଁ ପ୍ରୟାସ କରାଯାଇଥିଲା । ତେବେ ଦୂରଦର୍ଶନର ବ୍ୟାପକ ଅଭିବୃଦ୍ଧି ହେଲା ଅଶୀ ଦଶକ ଆରମ୍ଭରେ । ୧୯୮୨ ଏସିଆଡ୍ ଦୂରଦର୍ଶନ କଭରେଜ୍ ଦୂରଦର୍ଶନ ପାଇଁ ଏକ ମାଇଲ୍ଖୁଣ୍ଟ । ସେଇ ବର୍ଷ ଅଗଷ୍ଟ ୧୫ ତାରିଖରୁ ରଂଗୀନ ଚିତ୍ର ପ୍ରସାରଣ ବି ଆରମ୍ଭ ହେଲା । ୧୯୮୪ରେ ଧାରାବାହିକୀ ଆରମ୍ଭ ହେଲା । 
୧୯୯୧ରେ ଭାରତରେ ବେସରକାରୀ ଟେଲିଭିଜନର ପ୍ରସାରଣ ଆରମ୍ଭ ହେବା ପରେ ଦୂରଦର୍ଶନର ଦର୍ଶକ ସଂଖ୍ୟାରେ ହ୍ରାସ ଘଟିଛି । ତେବେ ଏବେ ବି ରାଷ୍ଟ୍ରୀୟ ପ୍ରସାରକ ଭାବେ ଦୂରଦର୍ଶନ ତାର କର୍ତ୍ତବ୍ୟ ନିଷ୍ଠାର ସହିତ କରି ଚାଲିଛି ।
 ବାଥ୍ରୁମରେ ଗୀତ 
ବାଥ୍ରୁମରେ ପଶିଲେ ଅନେକଂକୁ ଗୀତ ମାଡ଼େ । ବିଭିନ୍ନ ରକମର ଗୀତ । ଆମର ଧାରଣା ହେଲା: ବାଥ୍ରୁମ୍ରେ ଗୀତ ମାନେ ହ୍ୟାପି ଫ୍ୟାମିଲି । ସୁଖୀ ପରିବାର । ଲକ୍ଷ୍ୟ କରିବେ ଶୀତ ଦିନେ ବାଥ୍ରୁମ୍ରେ ଗୀତ ଟିକେ ଅଧିକ ଶୁଭେ । ୧୯୭୮ରେ ଗୋଟେ ଗୀତ ଭାରି ଜନପ୍ରିୟ ହୋଇଥିଲା: ଥଣ୍ଡେ ଥଣ୍ଡେ ପାନିମେଁ ନାହାନା ଚାହିଏ, ଗାନା ଆୟେ ୟା ନା ଆୟେ ଗାନା ଚାହିଏ । ପାଣି ଯେତେ ଥଣ୍ଡା, କଣ୍ଡସ୍ୱର ସେତେ ଉଚ୍ଚ ହେବ । ଅନେକେ ତ ଦୂରରୁ ଗୀତ ଶୁଣି କହିଦେବେ ଲୋକଟା ପାଣି ମୁଣ୍ଡରେ ଢ଼ାଳିଲା କି ନାହିଁ । 
ଆଚ୍ଛା ବାଥ୍ରୁମ୍ରେ ପୁଣି କି ଗୀତ ଗାଇବେ ତାର କିଛି ନିୟମକାନୁନ ଅଛି । ଧରନ୍ତୁ ଆପଣ ପିଆ ତୁ ଅବ୍ ତୋ ଆ ଯା- ଜାତୀୟ ହଟ୍ ଗୀତ ଗାଇଲେ । ତାକୁ ଯିଏ ଶୁଣିବ- ବିଶେଷ କରି ପଡ଼ୋଶୀଂକ ପନିୀ ଯଦି ଶୁଣନ୍ତି ତେବେ ତାରି ଖରାପ ଭାବି ପାରନ୍ତି । ସେମିତି ବାଥ୍ରୁମ୍ରେ ଆପଣ ଭଜନ ଗାଇ ପାରିବେନି । ଗାଧୋଇ ସାରିଲା ପରେ ଅନେକେ ଭଜନ ଗୁଉଗୁଣାନ୍ତି । ହେଲେ ଗାଧୋଇବା ପୂର୍ବରୁ ବା ଗାଧୋଇବା ବେଳେ ଭଜନଟା ଆପ୍ରୋପ୍ରିଏଟ୍ ଲାଗିବ ନାହିଁ । ସେମିତି ବାଥ୍ରୁମ୍ରେ ଦେଶାତ୍ମବୋଧକ ଗୀତ- ଠିକ୍ ଖାପ ଖାଉନି । ବାଥ୍ରୁମ୍ ଭିତରେ ଝଣ୍ଡା ଉଚ୍ଚା ରହେ ହମାରା- ଜାତୀୟ ଗୀତ କଣ ଭଲ ଲାଗିବ! 
ଆଚ୍ଛା ଗୀତ ଗାଇବେ ଯେ ଲିରିକ ତ ଆମର ଅନେକ ସମୟରେ ମନେ ରହେନି । କଣ କରାଯାଏ? ଆମ ନବଘନ ଗୀତର କଥାଗୁଡ଼ାକ ଡଟ୍ ପେନ୍ରେ ଲେଖି ପଲିଥିନ୍ ଭିତରେ ପୁରେଇ କାନ୍ଥରେ ଟାଂଗିଦଉଛି । ତାକୁ ଦେଖି ଦେଖି ଗୀତ ଗାଉଛି । ରିୱାଜ୍ଟା ତାର ସେଇଠି ହୋଇଯାଉଛି । ବାହାରେ କଲେ ଲୋକେ ମାରି ଗୋଡ଼ଉଛନ୍ତି । କୁକୁର ଭୁକୁଛି, କାମୁଡ଼ି ଗୋଡ଼ଉଛି । ତେଣୁ ସେ ବାଥ୍ରୁମ୍ ଭିତରେ ରିୱାଜ କରେ । ସେଟା ବଡ଼ ସେଫ୍ ଜାଗା । କେବଳ ରଂଗବତୀ ଶର୍ତ୍ତ ରଖିଛି ସକାଳେ ସେ ବାଥ୍ରୁମ୍ରେ ପଶିବନି । ସମସ୍ତଙ୍କ ବାଥ୍ରୁମ୍ କାମ ସରିଲା ପରେ ଯାଇ ପଶିବ । 
ନବଘନର ଶାୟରୀ 
ଇନ୍ ନିଗାହୋଁ କୋ ଭି ମାସ୍କ୍ ପହନାଦୋ ମୁଝେ ସଂକ୍ରମିତ ହୋନେ କା ଡର୍ ଲଗତା ହୈ ଏ ଚାହାଣୀକୁ ବି ମୁଖା ପିନ୍ଧେଇ ଦିଅ, ସୁନ୍ଦରୀ ମୋତେ ସଂକ୍ରମଣ ହେବାର ଭୟ ଲାଗୁଛି । 
ଗୁରୁ-ଜ୍ଞାନ 
ଆମ ଲୋକେ ଜୀବନଠୁଁ ମୃତ୍ୟୁରେ ଅଧିକ ଧନ ଖର୍ଚ୍ଚ କରନ୍ତି । ପାଞ୍ଚ ଟଂକାର ଗୁଟ୍ଖା, ଦଶ ଟଂକାର ସିଗାରେଟ୍ କିଣି ଖାଇବେ- ଦି ଟଂକାର କଦଳି କିଣି ଖାଇବେ ନି ।
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ସଂଚାର ମାର୍ଗ, ଢେଙ୍କାନାଳ ୭୫୯୦୦୧

Column | Window Seat | 13.9.2020

Window Seat | Mrinal Chatterjee | 13.9.2020 The Good Old Doordarshan It began on 15 September 1959 from a makeshift studio in Delhi as an experiment in public service telecasting. Within two and half decades Doordarshan (DD) – literally, a glimpse of all afar, grew as the National Broadcaster of India. The growth story is fascinating. The experiment conducted in 1959 with twice weekly programme, became a service The experiment became a service in 1965, when Doordarshan began beaming signals to reach television sets in living rooms in and around the country’s capital, New Delhi. By 1972, services were extended to Mumbai and Amritsar and then on, to seven other cities by 1975. All this time, it was part of the national broadcaster, All India Radio. On April 1, 1976, it transited to become a separate Department in the Ministry of Information and Broadcasting, though still serviced by All India Radio, especially for its news. Eighties was a turning point. Colour transmission started in 1982. Coverage of Delhi Asiad catapaulted DD to the big league. Since then, the organisation has grown to cover the length and breadth of the country, painstakingly caring for the interest of all linguistic, geographical and cultural groups and promoting social, cultural and educational development of the country though an array of transmitter networks equipped with studios and facilities to produce programmes even in regional languages. In doing so, the country’s prime television service provider has also become the engine for celebration of its diversity and the iteration of its unity. Over the years Doordarshan has grown into a network operating 34 satellite channels besides providing free-to-air DTH service having 104 in its bookings. Indeed, that single studio from its small departmental home in All India Radio has grown into 66 studio centers all over the country, including 17 major studio centers at State capitals and 49 other studio centers located in various cities. Bharatendu Harishchandra at 170 Hindi literature lovers celebrated 170th birthday of Bharatendu Harishchandra on 9 September.
Born in 1850 in Varanashi, Bharatendu (it was an honourific bestowed on him by the Pundits of Kashi on 1880) is known as the father of Hindi literature as well as Hindi theatre. He is considered one of the greatest Hindi writers of modern India. He was also a journalist. He published "Kavivachan Sudha" in 1868. Bhartendu published another monthly magazine "HarishChandra Magazine" in 1873. It was quite popular. Besides Hindi, contributions in Sanskrit and English were also published in it. Later on its name was changed from Harishchandra magazine to "Harish Chandra Chandrika" and then into "Nivedita". Articles covering different subjects including history and science were also published in this magazine. Bharatendu had an Odisha and Bengal connection at a young age. He went to the Jagannath temple in Puri, Orissa with his family in 1865, when he was merely 15 years of age. During this trip he was influenced by the Bengal Renaissance and decided to bring the genres of social, historical, and Puranic plays and novels into Hindi. This influence reflected in his Hindi translation of the Bengali drama Vidyasundar, three years later, in 1868. He started writing plays in Khadi boli, which became very popular and started a new genre in Hindi theatre. He died young at an age of 34. Numbers.. numbers The current population of Earth is more than 7 Billion. Someone has produced this set of statistical report condensing the 7 billion in the world into 100 persons, and then into various percentage statistics. The resulting analysis is relatively much easier to comprehend. Out of 100, 11 are in Europe, 5 are in North America, 9 are in South America, 15 are in Africa and 60 are in Asia. 49 live in the countryside and 51 live in cities. More people are living in cities than even before. In India too the number of people living in cities is steadily increasing. Out of 100, 77 have their own houses and 23 have no place to live. 21 are over-nourished. 63 can eat full. 15 are under-nourished. One ate the last meal, but did not make it to the next meal. 87 have clean drinking water. 13 either lack clean drinking water or have access to a water source that is polluted. 75 have mobile phones, 25 do not. 30 have internet access. 70 do not have conditions to go online. 83 can read, 17 are illiterate. 7 received university education, 93 did not attend college. 26 live less than 14 years. 66 died between 15 - 64 years of age 8 are over 65 years old. If you have your own home, eat full meals and drink clean water, have a mobile phone, can surf the internet, and have gone to college, you have little reason to complain. Amongst 100 persons in the world, only 8 can live or exceed the age of 65. If you are over 65 years old, literate and are living in your own house, be content and grateful. Cherish life, grasp the moment. You did not leave this world before the age of 64 years like the 92 persons who have gone before you. You are already the blessed amongst mankind. Tailpiece: Karma Parents who bunked classes decades ago… now attending their kids’ online classes with (and in some cases, for) them. Tailpiece 2: Me I’ve become quite shapely during the lockdown- round in the middle, long in the face and obtuse in the head!! (Part of a forwarded whatsapp joke; but fits me.)

Sabda Chhabi | 12.9.2020

Silver Jubilee of New Communication Revolution in India


NItidina, 12.9.2020
Nitidina, 12.9.2020